Nahiz: 2011-03

27 March 2011

Hesteyri

Location: eponymous
Changes: Contrast
Camera: idem

14 March 2011

Hesteyrarfjörður

Location: path to Hesteyri, Iceland
Changes: Contrast
Camera: DMC-LX3

Formely a Tree (but somewhere else)

Location: well well, up there, between Miðvík and Hesteyri
Changes: Contrast
Camera: DMC-LX3

13 March 2011

Miðvík from above

Location: rising
Changes: Contrast
Camera: DMC-LX3

10 March 2011

Miðvík

Location: entrance of Miðvík
Changes: Contrast
Camera: DMC-LX3

Aðalvík

Location: about there
Changes: Contrast, small colour adjustment
Camera: DMC-LX3

08 March 2011

Látravík

Location: near Látrar, West Fjords
Changes: Contrast
Camera: DMC-LX3

05 March 2011

Fluctuations 04

Location: Bolungarvík
Changes: Contrast
Camera: DImage Z20

Bay of Ísafjörður

Location: eponymous
Changes: Contrast, some colour adjustments
Camera: DMC-LX3

02 March 2011

2 windows on Ísafjörður

Location: Fishing Museum of Ísafjörður
Changes: Contrast
Camera: DMC-LX3

01 March 2011

Fluctuations 03

Location: between Bolungarvík and Ísafjörður
Changes: Contrast
Camera: DMC-LX3

Fluctuations 02

Location: Bolungarvík
Changes: Contrast
Camera: DMC-LX3

Fluctuations 01

Location: between Ísafjörður and Bolungarvík
Changes: Contrast
Camera: DMC-LX3

Without Title 80

Location: Bolungarvík, Vestfirðir, Íslands
Changes: Contrast
Camera: DMC-LX3

Policy

I am doing photography for a little while now. For long, I was keeping them for myself, but the wish to improve led me to share them, first by email with friends and family and now to a wider population with this blog.

All the photos here were taken with a Minolta Z20 or Lumix DMC-LX3 (unless otherwise stated) and I imposed myself only a few changes on the photo. Those changes consists mainly in altering - usually slightly - the colour balance, and the overall contrast. I am not altering in any way the composition: what can be seen is what I saw and what the camera captured.

Colours are subjective. For example when shooting through a coloured window, what would be reality? What the eyes saw, or what they would have seen without the window? Similarly the camera has its own perception of reality and its own colour and light response.

The patterns on the photos are real (and kept unchanged), the colours are more subjective.

Nahiz